‘Transitions are inherent to life and mark every stage in life’s journey from birth through to ageing and death. They concern not only the personal but the societal, with milestones across education, employment, relationships and family dynamics that define our lives.
While we are undergoing these personal transitions, Hong Kong is simultaneously experiencing its own, influenced by migration patterns and shifting demographics. The influx of people from the Mainland is in contrast with the departure of longtime Hong Kong residents and is altering the city’s cultural landscape and identity.’
So read the Introduction board at our recent exhibition.
The text continued, ‘Amid accelerating pace, pressure and (self)-censorship borne of Woke-ism, art serves as a crucial medium of expression, creating space for us to navigate and reflect on our transitions and the broader changes around us.
The ‘Transitions’ exhibition aimed to draw attention to transitions through artistic expression, encouraging visitors to reflect on their own experiences and the collective journey of a community in motion.
Ten talented artists took part in ‘Transitions’ exhibiting across three sub-themes: ‘Transitions of Physicality’, ‘Transitions in Society’ and ‘Transitions of Hong Kong’. Their work was multifarious and included the textured painting of Elsa Jeandedieu, the acrylic paintings of Lindsey McAlister, OBE, JP, the photographs of Peter Sung, Andrew Tse and Bharat Khemlani; the prints and paintings of Louise Soloway Chan and Carol Man, the digital artworks and paintings of Vivian Ho and the paintings and hand-pulled prints of Francesco Lietti. All residents of Hong Kong, the artists came from countries including Hong Kong, Sweden, the UK, India, Italy and France.
We had a hectic run up to our Opening party on Wednesday 20 November, not helped by downpours throughout the day. But huge onsite help was provided by Interior designer, Melanie Molenaar and Being Neighbourly’s favourite handyman, Darren Catterall who installed the artwork. Invaluable input was also provided by volunteers including Bert Bulthuis who hung the entirety of the Being Neighbourly exhibition-within-an-exhibition, making it look fabulous. June Chuck, Janey Rogers, Shine de Castro, Sabiha Marium and Renata Pawlak would also offer excellent help during the days to come.
The three sub-themes scaffolded the overarching theme of ‘Transitions’. For those who missed the exhibition, the content of the theme boards follows.
Exhibiting artists in Theme 1 included Elsa Jeandedieu, Andreas von Buddenbrock aka ‘The Ink Trail’ and Lindsey McAlister, OBE, JP.
A baby is born, and so life’s journey of human development begins.
Infancy and childhood is a stage marked by rapid learning and growth. Children absorb their environment and develop essential skills: physically and intellectually. But then, once we have learned how to walk and eat by ourselves, how to talk, run and read, things change.
Hormones flood our system and puberty and adolescence strike. The transition into puberty brings physical and emotional changes. It’s a time of exploration and self-discovery, where you ‘fake it’ before making it.
Meanwhile, adulthood often involves significant life events, such as pregnancy and childbirth, in which the body proves its sophistication and mettle.
Through the seasons of life, the spring, summer, autumn and winter, we grow and change in remarkable ways. In ageing, things that may have been basic before may become difficult again. The human experience is about growth, change and the cycle of life.
The second sub-theme, ‘Transitions in Society’ was depicted by Peter Sung, Louise Soloway Chan and Carol Man in photographs, digital art and prints and painting. Sung would go on to win the inaugural ‘Being Neighbourly Creativity Award’ for his photographic triptych highlighting the gap between rich and poor in Hong Kong. You can read more about Sung in our separate article on him.
As members of society, we belong to multiple communities: communities based around family, race, age, education, work, interests and hobbies. These communities and their established norms influence our self-perception and impact our life choices, big and small, including: where we live and socialize, who our friends are, where we go and what we do on holiday, whether we embrace religion, and so forth.
Major life events are often defined by societal expectations, which can create a sense of belonging or highlight our differences, shaping how we see ourselves and others.
While cultural attitudes certainly vary, many places around the world share a remarkably similar perspective on what constitutes a ‘good life’.
Our third and final sub-theme, ‘Transitions of Hong Kong’ was a colourful affair featuring the works of Andrew Tse and Bharat Khemlani‘s black and white photographs on the one hand and Francesco Lietti‘s vibrantly coloured hand-pulled prints and paintings; and Vivian Ho‘s acrylic paintings and digital artworks on the other.
The future of Hong Kong is a complex tapestry woven from threads of: migration, identity and economic dynamics.
As the city navigates these transitions, several things will shape Hong Kong’s trajectory in the years to come.
The trend of Hong Kong residents moving abroad is likely to continue, given the high cost of living, political climate and quality of life.
The influx of Mainlanders may enhance the economy, but may also challenge the city’s identity.
Meanwhile, Hong Kong’s economy may pivot towards technology and finance with an emphasis on innovation, which may attract new talent and investment.
While the future of Hong Kong is uncertain, it is also a canvas for potential transformation. The ability to adapt, embrace diversity and cultivate a sense of belonging will be instrumental to whether Hong Kongers are happy or not.
Time will march on regardless.
The artist’s artworks were bolstered by several artist-led activities during the five day exhibition period. These included one-to-one conversations moderated by the Young Soy Gallery, Fionnuala McHugh, Being Neighbourly founder, Nicole Chabot and Tatler Features editor, Zabrina Lo, whose enthusiasm for the artists and their talents lent an air of excitement to the proceedings and resulted in conversations in which the artists sahred freely about their experiences.
Many of our ten participating artists chose to go the extra mile for Being Neighbourly, by participating in additional activities. Renowned artist Louise Soloway Chan was ‘Transitions’ keynote speaker on Thursday 21 November, the first day that the exhibition was open to the public. Her one-to-one conversation with Shivang Jhunjhunwalla, co-founder of the Young Soy Gallery was lively and informal and made for interesting listening!
Next up was our Panel discussion involving British artists Soloway Chan, Lindsey McAlister, OBE, JP, and Swedish illustrator Andreas von Buddenbrock, aka ‘The Ink Trail’. The panel was about moderated by veteran journalist Fionnuala McHugh and reflected the impact of coming to Hong Kong on the lives of each of the trio.
The same day, Francesco Lietti gave an artist-led tour of his work, after which Hong Kong artist Carol Man talked to Being Neighbourly founder, Nicole Chabot about the theme of cultural explorations in her work as a Chinese Jew, explaining the origin and her work and its symbolism.
On the Saturday, the artist-led tours continued with Bharat Khemlani‘s tour of his black and white ‘All but Forgotten’ series of photographs. The following day, Soloway Chan gave a tour of her work and our last event on Monday 25 November was the one-to-one conversation between Peter Sung and Tatler Features Editor, Zabrina Lo, which was conducted in Cantonese.
Being Neighbourly arranged several workshops during the exhibition period. These centered around the Arts and included workshops for adults and children. The pen drawing workshops for both age groups by Andreas von Buddenbrock, aka ‘The Ink Trail’, were extremely popular with people keen to learn techniques from the Swedish artist and author of the The Ink Trail (Blacksmith Books, 2024). Vicky Wilson-Jiwatram delivered lively sessions: Nature Collaging and Painting for children; and we had enthusiastic participants of our Paper Bag Challenge workshop and Unconventional Materials by Hana Art.
Visitors to our website can find out more about our monthly Paper Bag Challenge, sponsored by a local business each month . Get cracking with a bag and the craft materials you have at hand, and you too could win amazing prizes!
Winner of the ‘Being Neighbourly Creativity Award 2024’ – Peter Sung
‘Stories Told by Broken Things – Abandoned’ (2023). Signed digital photograph/ 594 x 841cm.
‘Stories Told by Broken Things – Neighbours and Neighbours’ (2023). Signed digital photograph/ 594 x 841cm.
‘Stories Told by Broken Things – Night City’ (2023). Signed digital photograph/ 594 x 841cm.
If you are an artist who lives in Hong Kong, you don’t need to wait for a Call for Entry notification to get in touch: we would love to hear from you! Make the first move by saying [email protected], including details about you and what inspires your artwork. Don’t forget to include samples of your work with your outreach mail.
In addition, in response to the near universal wish of all artists for more visibility and exposure, we have initiated a LOCAL ARTIST SPOTLIGHT segment to kick off in January 2025. This is a great way for Being Neighbourly’s growing audience to get to know you and your work; and, added extra, SPOTLIGHT Artists will have priority when we’re formulating the lineup for our next exhibition, because we’ll already know you and your work.
Stay tuned for updates about Being Neighbourly’s next visual arts exhibition and our upcoming book collaboration with Peter Sung, In The Neighbourhood, featuring stunning photography of Central & Western district.
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Andreas von Buddenbrock, born and raised in Stockholm, Sweden, graduated from BASIS School of Art in Stockholm in 2011, before persuing a Bachelor of Fine Arts degree in Illustration in Hong Kong and the U.S. Andreas subsequently worked as an assistant to Swedish sculptor Anders Krisár in New York, before training as a Gallery Associate at the Museum of Modern Art. Today, Andreas works as an artist and freelance illustrator in Hong Kong under the pseudonym ‘The Ink Trail’. His clients include FC Barcelona, Hang Seng Bank, AIA Group, Black Sheep Restaurants and Pacific Place. He is the author of the newly published The Ink Trail: Hong Kong and the main illustrator of the World’s Largest Coloring Book (Guinness World Record winner 2018).
Born and raised in Hong Kong, Vivian Ho graduated with High Honors in Painting from Wesleyan University. She has exhibited her vibrant artwork in solo and group shows globally, including prestigious venues in Beijing, Shanghai, Seoul and Rome. Ho’s client portfolio includes Nike, Levi’s, Standard Chartered, The Jockey Club, and her art is featured in collections at M+ in Hong Kong, The Valmont Foundation in Switzerland, Nishiji Collection in Japan, and the Copelouzos Family Art Museum in Greece.
Hong Kong-based French muralist and visual artist Elsa Jeandedieu brings her distinctive textured artworks and wall murals to spaces worldwide, from Hong Kong and Shanghai to Paris and Italy. She collaborates with talented designers and renowned studios, creating commissioned wall designs and luxury art pieces for high-profile clients. Elsa’s work has garnered international and local acclaim, featured in publications like ELLE, The Sunday Times, Wallpaper*, SCMP, and Home Journal. After honing her skills at Paris’s Atelier Lucien Tourtoulou, specializing in unique textures and interior decorating, Elsa relocated to Hong Kong in 2008. In 2015, she launched her namesake atelier, marking a new chapter in her artistic journey.
Since a charitable foundation approached him in 1983 to take photos and footage of their spiritual master, Bharat Khemlani was infused with more of the enthusiasm he had felt for photography as a child, and has never looked back. He has since captured the precious moments of all sorts of clients at all manner of events, capturing images so as to preserve their memory. In 2017, Bharat founded his own photography business through which he conducts product shoots, portrait photography, covers events and teaches. Bharat is a long-time Hong Konger, having arrived in the city at the age of just two months and remains very much in its thrall. He is a dedicated member of the Cathay Camera Club.
Francesco Lietti, a former architect residing in Hong Kong for nearly twenty years, channels his deep affinity for the city into his artwork, blending mnemonic imagery with themes of travel and discovery. His naïve, yet humorous, portrayals of Hong Kong capture its iconic skyline with vibrant colours and playful exaggeration, blurring the line between reality and fantasy. Using acrylics, oils and collage techniques, Lietti infuses his pieces with texture and depth, enhancing them with a glossy resin finish for added brightness.
Born and raised in colonial Hong Kong within a traditional Chinese family, Carol Man cherished and observed numerous Chinese customs.In the early 2000s, Carol converted to Judaism, navigating the challenges of integrating Jewish practices into the Chinese environment. Inspired by both the similarities and differences between these cultures, her artwork aims to bridge the gap, creating a sense of belonging. Drawing from the wisdom of the Chinese I Ching, which notes that all roads lead to the same place, Carol’s work seeks not to discover new roads but to tie up the loose ends upon arrival at the destination.
Lindsey McAlister, a British artist based in Hong Kong for nearly forty years, founded the ‘Hong Kong Youth Arts Foundation’ and has been a trailblazer in the performing arts. Decorated with JP and OBE titles, she works digitally and with diverse materials like acrylic paint, decoractive papers and photographic transfers. Her intuitive process allows colours, textures and compositions to emerge spontaneously, aiming to evoke shared moments of insight and introspection through lyrical visual languages.
Louise Soloway Chan draws inspiration from her immediate environment, carrying small sketch books to capture spontaneous moments. A storytelling artist, she documents the daily lives of people at work, rest, and play in detail to give a sense of time and place in her paintings. Drawn to densely-crowded urban scenes, Louise delves into the intricacies and humor of everyday life. Louise has been commissioned to record a diversity of scenes, from market stalls, a pre-digital trading floor, a pharmaceutical sugar-coating pill laboratory, and even worked on a construction site based out of a studio on an island in the South China Sea.
Peter Sung, a veteran photographer with over forty years of experience in the trade, has participated in numerous international photography competitions. Some of his most recent work can be found in the Hong Kong Central Library, while two of his photographs are displayed in the headquarters of the Government Flying Service; yet others are featured across the border, in Shenzhen. Two of Peter’s photos were awarded positions in National Geographic’s Top 5 and Top 50 lists of photographs in 2024. Peter travels widely across China for his work with the Hong Kong China Tourism Press, and beyond.
A former CEO of Macau’s East Asia Airlines, Hong Kong’s Heli Express and founder of Hong Kong Express Airways, Andrew E. Tse has spent much of his time researching the history of his Eurasian family, prominent in Hong Kong society since the mid-1800s. Recognizing the invaluable historical record of Hong Kong in an amazing collection of photos and film clips taken by his grandfather, Andrew made it his mission to not only compile and categorise them, but also to conserve them for future generations. Andrew is a keen photographer, who won his first competition at the age of 15 and sold his first images to a local newspaper a year after.