Pilgrimage: An Exhibition With Michael Kenna & Yasuhiro Ogawa opened at the Sheung Wan-based Blue Lotus Gallery on June 6, 2025. The exhibition features two award-winning artists, Michael Kenna and Yasuhiro Ogawa, offering “a tribute to Japan’s cultural and spiritual heritage, inviting viewers to reflect on their own inner journeys across time, memory, and space”.
The cosy Blue Lotus Gallery focuses on photographic work that brings Asian contemporary culture and heritage to life. When you first walk into the venue, it’s clear that while this is a show featuring two artists with a shared subject matter, they are offering vastly different perceptions. The collection of works, exploring Japanese life and landscapes, are a gorgeous blend of Ogawa’s colourfully vibrant captures and Kenna’s striking black and white scenes.
English photographer Michael Kenna has been photographing Japan for close to forty years, having first visited in 1987. Recalling that visit recently to The South China Morning Post, he said, “I was blown away by the aesthetics, the spiritual and religious aspects, the curiosity of the people and their friendliness”.
Kenna often captures a blend of the natural and man-made elements of Japan’s countryside, and his photographs depict the country’s various pilgrimage sites, including Buddhist temples, Shintō shrines, and venerated mountains.
Kenna’s work oozes calm and stillness. This makes absolute sense when you learn that his photographs are taken using long exposures, often left overnight, and then developed in his personal darkroom. While he uses patience to his advantage through a lengthy creation process, Kenna also utilises the visual elements of composition, light, and shadow with a deft touch.
Tokyo-based Japanese photographer Yasuhiro Ogawa was originally inspired to take up photography by seeing the works of documentary-style photographer Sebastião Salgado when he was 24 years old. Years later, Ogawa has mastered his own unique style of documenting humanity.
Ogawa’s pieces in this exhibition were mostly shot in Kyoto, a city that he’s been capturing for over 10 years, after visiting in 2014. At the exhibition, he described to Being Neighbourly how the city first inspired him, saying, “I had no intention of shooting in Kyoto, but after visiting a remote temple, I was very fascinated. Fascinated by the density of the air there and how completely different it was from Tokyo.”
Ogawa’s work is a mixture of places and faces, full of movement and vibrancy, whilst also examining Japan’s cultural identity. Through his use of deep colour and unconventional framing, he catches individual moments to create otherworldly scenarios that captivate the viewer.
The variation in the presentation of these artists’ photographs at the exhibition (using frames, hanging scrolls, and poster prints) adds a raw visual texture to the showcase. Kenna’s framed works are ordered in a way that feels very balanced, in a comforting pattern of sorts, as not to overwhelm with the details of the pieces around them. Whilst the overlapping of several of Ogawa’s photographs establishes a flow between the individual works, to engage with them as a whole.
To enhance the experience, Blue Lotus has created a charming environment for the show, with Japanese antiques dotted around the space that align with the exhibition’s theme. Books by both photographers have been placed in the centre of the display area, acting as part of the exhibit while also giving further context on the work of both artists.
Blue Lotus Gallery was established by Sarah Greene in 2007. The gallery focuses on presenting narratives relating to Asian contemporary culture and heritage, and especially Hong Kong, through exhibitions and publications. It offers a selection of limited edition prints, vintage material and photobooks, among them those published under Blue Lotus Editions.
Pilgrimage: An Exhibition With Michael Kenna & Yasuhiro Ogawa is on at the Blue Lotus Gallery until July 13 2025, www.bluelotus-gallery.com.
Katie Lee Dowson is an artist and graphic designer based in Hong Kong. Her personal projects have explored a wide range of themes and subjects in formats ranging from analog illustration to digital collage. Currently, she is experimenting with artworks that focus on identity, mental health and folklore: @katieleestudios.
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